Spatial Positioning with Marin Landscape. December 2019. Material: Oil paint on canvas, embroidery, glass frame, wood and metal supports, digital drawing over photograph, projection. Dimensions: 24in. x 20in. x 24in. Description: Study considering landscape and the inability to separate the idea of a space and the exterior space itself. The digital overlay hinders the viewer's ability to focus properly on what the physical work contains by blurring, providing misinformation, and altering the perspective of the work itself.

Spatial Positioning with Marin Landscape. December 2019. Material: Oil paint on canvas, embroidery, glass frame, wood and metal supports, digital drawing over photograph, projection. Dimensions: 24in. x 20in. x 24in. Description: Study considering landscape and the inability to separate the idea of a space and the exterior space itself. The digital overlay hinders the viewer's ability to focus properly on what the physical work contains by blurring, providing misinformation, and altering the perspective of the work itself.

Spatial Positioning with Marin Landscape. November, 2019. Material: Oil paint on canvas, embroidery, glass frame, wood and metal supports, digital drawing over photograph, projection. Dimensions: 24in. x 20in. x 24in. Description: Painted canvas of a Marin landscape wrapped and suspended in a glass and wood box. The expressive painting is overlaid with a projection of itself after being manipulated several times.

Spatial Positioning with Living Space. November, 2019. Material: Oil paint on canvas, manipulated photograph, projection. Dimensions: 48in. x 30in. Description: Study of the relationship between intimate living space, memory, and subconscious intervention. The piece considers the messy understanding of even the most familiar environments when faced with perspective and misinformation.

Spatial Positioning with Living Space (Detail). November, 2019. Material: Oil paint on canvas, manipulated photograph, projection. Dimensions: 48in. x 30in. Description: Study of the relationship between intimate living space, memory, and subconscious intervention. The piece considers the messy understanding of even the most familiar environments when faced with perspective and misinformation.

Things That Go Inside. October 2019. Material: Gesso on Canvas, embroidery, glass and wood frame. Dimensions: 24in. x 20in. x 24in. Description: Study on consumption and how it relates to one’s understanding of the inner space of the body and the subconscious.

Invented Space with Green Drape. October 2019. Material: Gesso on Canvas, embroidery, glass and wood frame. Dimensions: 24in. x 20in. x 24in. Description: Diagram for invented spaces room installation.

A shattered, miniature environment that allows external consideration of subconscious processing.